In this example you can see that I picked a single purple to figure out all the darks first. Instead, pick one color to develop all your shadows first. Students love to jump in using all possible colored pencils to draw one thing. Keep it simpleĭraw the shadows in one color first. If you’re testing dark blue colored pencils based on your reference, do you see that not all of them fit that particular color range? 3. You can adjust your pencil pressure drawing in one blue to get a range of blue tones (or values). There are many similar colors that you don’t have to use. Start testing these colors right next to your reference and you’ll see that some colors are totally off and don’t belong as your main hue. If you see lots of blue in your reference, test all your blues to see which ones look similar to your picture. Test your colored pencils on the paper you’re going to draw on. Everything else is grayed down to a degree. If you look carefully, the only dominant color here is light blue-turquoise. Everything else should be less color intense. Make that particular color your main focus. Is it light or dark? Is it monochromatic or in full color? How do you decide? Look at your main reference to see the dominant color. Consider big picture first drawing in colored pencilĭecide on the overall theme for your drawing. If you begin shading one spot and forget about the rest of your composition, you might end up having the drawing that has no consistency or unity in color. However they become important only when the basic drawing is in place. Artists who draw in colored pencil pay attention to small things like details and textures, and they’re important. When you begin drawing in colored pencil, the aim is to copy what you see in front of you or in your reference.
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